Hope Larson and Rebecca Mock: All The Wonders, Episode 368
Hope Larson and Rebecca Mock, author and illustrator of the Four Points series, including Compass South and Knife’s Edge, stop by the podcast to talk about intimate story moments, the benefits of too much detail, and the fun of making tiny drawings.
Jessixa Bagley: All The Wonders, Episode 367
Jessixa Bagley, author illustrator of Laundry Day, Before I Leave, and Boats for Papa, stops by the podcast to talk about art as a mirror of her life, creating a world through illustration, and the city that took her best friend away.
Andrea J. Loney: All The Wonders, Episode 366
Andrea J. Loney, author of BunnyBear and Take a Picture of Me, James Van Der Zee!, stops by the podcast to talk about understanding and appreciating yourself, the extra layer of beauty, and how it’s all about the dance.
Dan Santat – Picturebooking, Episode 83
Dan Santat returns to the pod to chat about RODZILLA, his latest picture book written by Rob Sanders. And he opens up about the inspiration for AFTER THE FALL: HOW HUMPTY DUMPTY GOT BACK UP AGAIN.
Jane Yolen: All The Wonders, Episode 365
Jane Yolen, author of On Duck Pond and over 350 books for children, stops by the podcast to talk about the rhythm in the words, being engaged with the world.
Sarah Threlkeld of Happy Reading: Books Between, Episode 27
David A. Robertson: All The Wonders, Episode 364
David A. Robertson, author of When We Were Alone, stops by the podcast to talk about the inquisitiveness of a grandchild, channelling the stories of others while writing, and making intergenerational connections.
Laurel Snyder and Emily Hughes: All The Wonders, Episode 363
Laurel Snyder and Emily Hughes, author and illustrator of Charlie & Mouse, stop by the podcast to talk about focusing on the quiet, working from muscle memory, and how truth and facts are different.
Teagan White: All The Wonders, Episode 362
Teagan White, author illustrator of the Barefoot Critters series, stops by the podcast to talk about thinking of the text as an image, working in limitations, and adding practical elements to the story and illustrations.